文艺复兴时期,尘封的“身体”在西方逐渐摆脱中世纪神学的禁锢,实现觉醒与解放。研究以“身体”的流变为背景,以“身体”为切入点,剖析了《裘里斯.凯撒》中的身体主题和身体叙事,认为莎士比亚的身体叙事把肉体当作了存在的焦虑和欢乐,使之成为兼具生理学、政治学和伦理学特色的身体诗学,期冀为时下莎士比亚研究开辟新的解构视角,做到历久弥新。 Renaissance, dusty “body ” in the West gradually get rid of the shackles of medieval theology to achieve the awakening and liberation. Based on the rheology of “body ” and “body ” as the starting point, the study analyzes the body theme and body narration in Julius Caesar and concludes that the body narrative of Shakespeare treats the body as being Anxiety and joy, making it a body poetics that combines physiology, politics and ethics with a view to creating a new perspective of deconstruction in contemporary Shakespearean studies.