近代学者王国维在《人间词话》中说:“以我观物,故物皆著我之色彩。”这里表达了心景与物景的关系。在写实油画中,心景与物景组成人与自然的两个方面。心景是人在面对物景时,画家根据自己的情感和情趣而表达出来的画面景象。不同的人面对同一物景表达出的心景是不一样的。如何面对物景表达出艺术家自己的心景,把物景融合于心中,这一点在写实油画中显得特别重要。面对自己眼中的物景,用审美体验抽取出心像,形成不同的心景,成为当下写实油画家心中纠结的问题。换言之,如何把自然的物景透过自我的心境,用写实油画的表述语言,转化成一种艺术新语汇去诠释物景,最后得出独特的艺术心景,这 Modern scholar Wang Guowei in the “Human Words” said: “In my view, the story is all my color.” Here expressed the relationship between the heart and the scene. In the realistic oil painting, the heart scene and the object scene are composed of two aspects of man and nature. Heart scene is the scene of people in the face of things, the painter according to their emotions and taste and expressed the picture scene. Different people in the face of the same landscape to express the heart is not the same. How to face the scene to express the artist’s own heart, the scene into the heart of the fusion, which in realistic oil painting is particularly important. In the face of the objects in their own eyes, with the aesthetic experience extracted from the heart, forming a different heart, become the reality of contemporary oil painter tangled problems. In other words, how to turn natural things into self-centered moods and translate them into a new artistic vocabulary to interpret the scene and finally come to a unique artistic outlook