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编者按:20世纪60年代,中国艺术史进入了现代学术研究体系,其研究方法既继承了艺术史研究的品评著录传统,又借鉴了西方艺术史研究的成熟方法。进入新世纪后,在新的学术背景和要求下,中国艺术史研究面临着研究范式的转变。有鉴于此,本期史论评专栏特别推出“中国艺术史研究方法论”专题,旨在析明术路径,为中国艺术史方法论的探索抛砖引玉。
Editor’s Note: In the 1960s, the Chinese art history entered a modern academic research system. Its research methods inherited both the tradition of writing on the history of art history and the mature methods of studying western art history. After entering the new century, with the new academic background and requirements, the study of Chinese art history is facing a shift in its research paradigm. In view of this, the special issue of “History of Chinese Art History Research Methodology” is specially launched in the column of historical comments on this issue. The purpose of this article is to analyze the path of artistry and to give a start to the exploration of the methodology of Chinese art history.