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作为朦胧诗最早的探索者,黄翔的诗歌体现出了强有力的启蒙与批判精神。诗歌《野兽》是黄翔最具有代表性的作品,不仅真实地体现了黄翔在六七十年代的精神特质,而且在艺术创造和美学意味上也颇为成功。本文借用李泽厚提出的“狞厉美”的概念来分析黄翔的野兽意象,力图表现狞厉形象背后的历史真实与时代悲剧。
As the earliest explorers of misty poems, Huang Xiang’s poems reflect a strong spirit of enlightenment and criticism. The poem “Beast” is the most representative work of Huang Xiang. It not only truly reflects Huang Xiang ’s spiritual characteristics in the 1960s and 1970s, but also succeeds in creating art and aesthetics. This paper uses the concept of “Li Li Mei ” proposed by Li Zehou to analyze Huang Xiang ’s image of the beast and try his best to show the historical truth and tragedy of the times behind the image of Li.