今年6月上旬,我参加广东省龙门县农民画骨干培训班的第三期教学工作。给农民画骨干培训班上课,它既不是学院派的“课堂搬家”,也不是把那里的“乡土味”同化为“科学化”。因此,我给自己明确了一个教学宗旨,那就是“保持农民特色,增强创作素养”。教学工作也要“以人为本”,要“有的放矢”。在那里就是“以农民画骨干为本”。据了解,这期学员65人中,大多是初、高中毕业生,除了少数几位是当地骨干辅导老师会创作外,绝大部份人都是新手,很多人只会跟着老师临摹。因此,提高他们的创作能力是首要的课题。由于文化的局限性,他们中大多数人一时还难于把握自己的特长,进入较独立自由、自觉的 In early June of this year, I participated in the third course of the training course for peasant painting in Longmen County, Guangdong Province. To teach peasants the backbone of the training class, it is neither academic “class move”, nor is there the “native flavor” assimilation to “scientific.” Therefore, I gave myself a clear teaching principle, that is, “to maintain peasant characteristics and enhance creative literacy.” Teaching work should also be “people-oriented”, to “targeted.” There is “the backbone of farmers-oriented”. It is understood that most of the 65 students in this period are beginners and high school graduates. Apart from a few local backbone tutors, most of them are newbies, and many of them only follow the teacher’s copy. Therefore, improving their creative ability is the top priority. Due to the limitations of culture, most of them are still struggling to grasp their own specialty for a while and enter a more independent, free and conscious