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在第三代西北小说家中 ,漠月比较固执地写他所认识的西部乡村。他力图让作品中农民的角色摆脱某种普遍主义的“召唤”和“规定” ,以富于诗意的描写呈现西部农村的文化氛围与农民的内心感受 ,揭示被“现代化”、“都市化”语境遮蔽的西部农村的诸多真实景象。本文探讨漠月的小说 ,分析以小说为核心的西部文学与现实的关系 ,西部文学在现实中的意义和可能性。
In the third generation of northwest novelists, Mo Yue stubbornly wrote his understanding of the western villages. He endeavored to free the peasants’ roles in the works from certain universal “calls” and “regulations”, and to present the cultural atmosphere of the western rural areas and the feelings of peasants in a poetic description, revealing that he was “modernized” and “urbanized” Many real scenes of the western rural areas covered in context. This article discusses Mo Moon ’s novels, analyzes the relationship between western literature and reality with novels as its core, and the significance and possibility of western literature in the real world.