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在这30年中,民族声乐艺术总是在矛盾与争论中前行。不仅经历了中西方法之争,也有学院派和原生态的形态之争,舞台表演方法的转变以及在新时代“民通”唱法的出现,使得民族声乐在矛盾与争议中走出了一条自己的发展路径。本文从民族声乐发展的现状与几个突出尖锐的矛盾与问题入手,对民族声乐自身发展的特点进行梳理,希望中国的民族声乐事业可以用更豁达的态度去拓宽自身的发展道路,强化自身的内涵,真正走进民族声乐事业的下一个生机盎然的春天。
During these 30 years, the art of national vocal music has always been in conflict and controversy. Not only experienced the dispute between Chinese and Western methods, but also the controversy between the morphology of the academic school and the original ecology, the change of the stage performance method and the emergence of the “MinTong” singing style in the new era, making the national vocal out of self in contradictions and controversies The path of development. This article starts with the current situation of national vocal music development and several prominent contradictions and problems, and sorts out the characteristics of national vocal music self-development. I hope China’s national vocal music career can use its more open-minded attitude to broaden its own development path and strengthen its own Connotation, the real walk into the vocal cause of the next vibrant spring.