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对“富贵之乐”与“山林之乐”的分辨和讨论在宋代成为士大夫普遍关注的问题。这一话题既与“富贵”、“山林”所代表的两种不同文学体式和风格有关,也和北宋士大夫独特的精神风貌和处世心态相联系。欧阳修对“富贵之乐”与“山林之乐”的论述在宋人中较有代表性,欧阳修对二者的基本态度影响到其文学创作风格。“富贵山林,两得其趣”的人生追求和“六一风神”的独特审美内涵之间有着内在一致。这种关联较为典型地反映出北宋社会文化背景之下士大夫阶层的独特价值取向和人格特征。
The discernment and discussion of “the joy of wealth” and “the joy of the mountains” became the general concern of the literati in the Song Dynasty. This topic is not only related to two different literary styles and styles represented by “Fugui” and “Shanlin”, but also related to the unique mental outlook of the literati in the Northern Song Dynasty and their mentality of passing away. Ouyang Xiu’s exposition on “music of the rich” and “music of the mountains” is more representative in the Song Dynasty, and Ouyang Xiu’s basic attitude towards the two influences his literary creation style. There is an inherent agreement between the pursuit of life and the unique aesthetic connotation of the “June 1 Fengshen”. This correlation typically reflects the unique value orientation and personality characteristics of the scholar-officials in the social and cultural context of the Northern Song Dynasty.