丁玲创作于十九世纪四十年代的《我在霞村的时候》塑造了贞贞这一充满个性解放意识的女性形象,但其悲惨的命运,在性政治上的从属地位,话语权的失语状态,以及不可逾越的文化宿命都注定其曼妙的幻影终将破灭,这也正是丁玲创作道路所代表的中国妇女解放道路的重入困境。 Ding Ling’s 1940s creation “When I was in Xia Village” shaped Ching Ching’s image of a woman full of individual liberation consciousness. However, her tragic destiny, sexual subordination, and aphasia of discourse State, and insurmountable cultural destiny are destined to its wonderful Mirage will eventually burst, which is exactly Ding Ling’s creative path represented by the reintegration of Chinese women’s liberation predicament.