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闲章是从秦汉吉祥词语印章演变而来,宋、元之后,书画作品钤盖闲章风气益盛,文彭之后,文人篆刻大盛,书画作品钤盖闲章已然成为一种风尚,继而发展成为书画作品不可或缺的一部分。闲章内容取材广泛,大致可分为诗词文句类、抒怀寄兴类、履历志事类等。本文,笔者对李东阳经常使用的一方闲章“七十一峰深处”进行考察。就李氏常用的其他几方风格相似的闲章,结合其二十六岁回长沙府茶陵县访祖祭扫的经历。论证出“七十一峰”即是祖籍茶陵地区的七十一峰,闲章“七十一峰深处”既是对回祖籍经历的标志性记述,也是对祖籍地的恋念和幽思。“七十一峰深处”这方闲章集中呈现了闲章不闲的两个维度:志事与寄兴。
After the Song and Yuan dynasties, the works of calligraphy and painting cover the loose style of Zhang Yi Sheng, Wen Peng, the literati carving Da Sheng, painting and calligraphy cover cover chapter has become a trend, and then developed into a painting works Indispensable part. The contents of loose chapter drawn extensively, can be divided into categories of poetry, expressive Xingxing class, resume and other categories. This article, the author of Li Dongyang often used a loose chapter “71 peak depth ” to inspect. On Lee’s other commonly used several other style similar to the loose chapter, combined with his 26-year-old back to Chaling County, Changsha Prefecture, visiting the ancestral worship sweep experience. It is proved that “Seventy-one Peaks” is the seventy-one peak of Chaling’s native area and the loose seal “The depths of Seventy-one Peaks” is both a landmark description of the ancestral home experience and a love story of ancestral homeland And meditation. “Seventy-one peak depth ” This chapter focuses on the idle chapter leisurely two dimensions: Chi Shi and send Xing.