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所谓移情是要人在感受到外物时与之交融,将主观感情投射到外物中去使其也似人般生命化的一个过程。在玻璃艺术中,移情作用更容易被光影所引起。玻璃有着对光极为敏感的材料特性,它的折射、反射与漫射等效果能给观者带来一种穿越心灵的力量,是连接光线与人们内心世界的桥梁。光影有助于玻璃作品各种观赏氛围的形成,这种氛围环绕着逐渐清晰起来的意象,激发观者审美活动的发生,引发观者与作品之间的沟通交流达到物我交融的境界,自然地向作品移入自身的情感感受,以致发生审美移情。本文主要讨论的是光影在现代玻璃艺术的审美移情中的重要性,主要从色彩和结构两个移情因素入手进行论述。
The so-called empathy is the process of people wanting to blend in with the feeling of foreign objects and project the subjective feelings into the foreign objects to make them seem human-like. In glass art, empathy is more likely to be caused by light and shadow. Glass has a very sensitive to light material properties, its refraction, reflection and diffusion effects give viewers a power to cross the heart, is to connect the light and people’s inner world bridge. Light and shadow contribute to the formation of a variety of viewing atmosphere of glass works, which surround the gradually clear image, inspire the viewer’s aesthetic activities, and lead the communication between the viewer and his works to achieve the blending of things and nature Into the works into their own emotional experience, resulting in aesthetic empathy. This article mainly discusses the importance of light and shadow in the aesthetic empathy of the modern glass art, starting from the two empathy factors of color and structure.