剪纸是民俗文化的形象载体,她是各个民族艺术中最为青睐的表现形式,作为民间美术的一个支脉从古到今依然散发着她无穷的魅力。在中华大地上众多的民族中,具有女神信仰的民族以满族为代表,医巫闾山满族剪纸艺术中对于女性崇拜的理念尤为明显,以女性为主的萨满人物、嬷嬷人儿、柳树妈妈、抓髻娃娃、媳妇人儿、满族格格、九乳妈妈等为代表的一系列女性人物在医巫闾山满族剪纸传承人的剪刀下游走于红纸之间,原始女性崇拜观念无孔不入地渗透在其中。其剪纸艺术群体也多数以女性为代表,彰显出极其浓郁的女性审美特质。 Paper-cut is the image carrier of folk culture. She is the most popular form of expression in various national arts. As a branch of folk art, she still exudes her endless charms from ancient times. Among the numerous ethnic groups in the vast land of China, the ethnic group with the goddess’ belief is represented by the Manchus. The concept of female worship is particularly evident in the art of paper cutting in the Manchu Mountain in the Wululu Mountain. The shamanic figures, the widowed women and the willow mother, A series of female figures such as the baby doll, the daughter-in-law, the Manchu princess, the nine milk mothers, etc., walk between the red paper at the lower reaches of the paper scissors downstream of the successors of the paper-cut Manchu paper-cutting successors in the Ulu mountains. The paper-cut art groups are also mostly represented by women, highlighting the extremely rich female aesthetic qualities.