丁果仙以夺目的艺术光华辉耀于本世纪前半叶的晋剧艺坛,应当说是晋剧史上一个罕见的奇迹。这是因为;第一,她是第一个出现于晋剧舞台上的挂髯口的坤角。她必须在一无先例可循、二无成法可遵的情况下,突破与生俱来的女性生理特点所造成的艺术局限,在舞台上作一番由女变男(而且是中、老年男子)的“脱胎换骨”性的自我艺术改造,方能改变观众传统的欣赏习惯,欣然接受她那开拓性的艺术成果。丁果仙不仅成功地做到了这一点,而且成为独树一帜的丁派表演艺术的宗 Dingguo Xian brilliant eye-catching art glory in the first half of this century Jin opera art industry, should be said that the history of the Jin drama is a rare miracle. This is because; first, she is the first appeared in the stage of the jinji hanging hung angle. She must break through the art limitations caused by the innate physiological characteristics of women under the circumstance of no precedent and no remedy, and make some changes from female to male (and middle-aged and old-aged Man) “reborn ” sexual self-art transformation, can only change the audience’s traditional appreciation of the habit, readily accepted her pioneering artistic achievements. Not only did Ding Guo Xian successfully accomplish this, but also became a unique Ding senta performing arts