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审美理想是特定历史阶段中所形成的审美追求的集中表现,是一定社会的物质文明生活及意识形态在审美领域中的最高结晶。中国传统绘画,强调“写意”,不拘泥于“形似”、不“摹拟”自然,着力于事物内在神韵的把握和主观情怀的传达.构成了中国古典绘画“心理和谐”审美理想的整体结构。在西方看来,只有通过艺术的创作、加工完成这一精神飞跃,才能真正表达美的“形式和谐”的最高境界。但不论东方和西方,欧洲与中国,都把“和谐”作为其绘画艺术的审美理想。
The aesthetic ideal is the concentrated expression of the aesthetic pursuit formed in a particular historical stage and the highest crystallization of the material civilization life and ideology of a certain society in the aesthetic field. Chinese traditional painting emphasizes “freehand brushwork”, does not rigidly adhere to “shape”, does not “copy” nature, focuses on the inner charm of things and the subjective feelings, and constitutes the overall structure of the aesthetic ideal of “psychic harmony” in Chinese classical painting. In the view of the West, only by accomplishing this spiritual leap through artistic creation and processing can we truly express the highest state of “formal harmony” of the United States. However, both the East and the West, Europe and China regard “harmony” as the aesthetic ideal of their painting art.