单纯人物是一种理想化的审美范式,具有性格特质的单一性和性格运动的单向性。单纯人物的类型化不同于公式化概念化,前者可以是生动形象的,而后者则是反艺术的。单纯人物和复杂人物可以也应该互补。单纯人物不但可以屯当喜剧人物而且也可以充当悲剧人物。巧珍和惠芳式的单纯人物所引发的轰动效应表明了社会对于理想的呼唤与追寻。 Mere characters are an idealized aesthetic paradigm, which has the unity of personality traits and unidirectional character movements. The simple typification of characters is different from the conceptualization of formula, the former can be vivid, while the latter is anti-art. Simple characters and complex characters can and should complement each other. Simple characters can be used not only as comic characters but also as tragic figures. The striking effect triggered by the simple figures of Qiao Zhen and Hui Fang shows the call and pursuit of society for the ideal.