言为心声 ,形为神貌 ,情为心发 ,人我合一。表演者在舞台上是唯我的 ,但放在全剧中是整一、有机的组成。古老的戏曲发展到今天 ,它的生命力来源自生活 ,来源自不断否定自己 ,来源自不断变革 ,以传统戏曲注重表现剧场性为基础 ,借鉴西方戏剧表演注重戏剧性的理论和实践 ,从戏剧人物刻画入手 ,求得变革与创新。 Words for the voice, shaped as God looks, love for the heart, I am one person. The performer is the only one on the stage, but on the whole play is a whole, organic composition. Ancient drama developed to this day, its vitality comes from life, from constantly denying themselves, from constantly changing, with the traditional drama focused on the performance of the theater as the basis, draws on the western drama performance focuses on dramatic theory and practice, portrayed from the drama characters Start, seek change and innovation.