从咏物词发展演进的历程来看,姜夔无疑是一位非常重要的词家。这种重要性不仅体现在其咏物词的数量和质量上(姜夔存词八十七首,咏物词即有二十五首,其中暗香、疏影、齐天乐、念奴娇四词在历代词选中屡屡入选,是名副其实的咏物名作),而且更体现在他对咏物词创作范式的突破上。姜夔对于咏物词创作范式的突破主要表现在如下四个方面:第一,由于作者对于咏物词抒情性的特别重视,咏物词在性 From the development of the evolution of chant euphoria, Jiang 夔 is undoubtedly a very important Ci writer. This importance is not only reflected in the quantity and quality of the chanting words (Jiang 夔 deposit eighty-seven, chanting words that there are twenty-five, of which incense, Shuying, Qi Tianle, Nianjiao four words in the selection of Ci Repeatedly selected, is a veritable chant object masterpiece), but also embodied in his breakthrough on the creation of chant essay paradigm. Jiang Kui’s breakthroughs in the creation paradigm of chant euphrases mainly appear in the following four aspects: First, due to the special emphasis on the lyricism of chant euphrases,