“中”与“和”是中国哲学的一份子,恰到好处是其内核。设计是哲学的外在表现之一,故“恰到好处”与“适中”之思想必然参与其中,那么“适度设计”的产生也是合情合理之事。无处不在的“设计”充斥着我们的眼球,占据着我们的全部审美,故适度设计是一种反思,反思着现存的混乱与不清晰(风格混乱、装饰无度、无视和谐、忽略空间等);适度设计也是一种写照,倒映着今人对当代设计的理解与表达。 “Zhong ” and “and ” is a part of Chinese philosophy, just right is its core. Design is one of the extrinsic manifestations of philosophy. Therefore, the ideas of “just right” and “moderate” are bound to participate in it. Then it is also reasonable that “moderate design” be produced. Ubiquitous “design” is full of our eyeballs, occupying all of our aesthetic, so proper design is a reflection, reflection of existing confusion and unclear (chaotic style, excessive decoration, ignoring the harmony, ignoring the space Etc.); moderate design is also a portrayal, reflecting today’s contemporary understanding of the design and expression.