一、闲来无趣,朋友们在一起“侃大山”。忽一人问起:“延松,导演喜欢读什么样的剧本?”这问法乍一听来平平常常,大凡有些阅历的导演尽可以“信口开河”好了:从莎士比亚、易卜生、奥尼尔到关汉卿、老舍、曹禺,可着名家的剧作“侃”,什么东方、西方的,什么现实主义、非现实主义的,反正“剧本”这东西就是供导演们“侃”的,可着喜欢的“侃”他个痛快。……细想开去,却是“别有一番滋味在心头”——导演喜欢 First, idle boring, friends together “Kan mountain.” Suddenly one asked: “Excerpts, the director likes to read what kind of script?” This is usually heard at first blush, almost some experienced director as much as possible “good news”: from Shakespeare, Ibsen, O’Neal to Guan Hanqing, Lao She, Cao Yu, the famous play “Kan”, what the East, the West, what realism, non-realistic, anyway, “script” this thing is for directors “Kan”, can be like “Kan” He is very happy. ... Thin to open, but it is “Do not have some taste in my heart” - the director likes