奇装异服,行为古怪,被许多人看作是当代艺术家的标签。不过,这样的艺术特质并非始于当代艺术,早在《庄子·田子方》就记载了“解衣盘礴”的故事。而徐渭和凡·高更是个中两位杰出的前辈。命运给予了他们凡夫俗子难以望其项背的才华,却也施加给他们常人无法承受的磨难,于是他们常常徘徊在地狱的门口窥探世界最本质的美,他们的艺术也充满了癫狂之美。艺术家个体的悲剧和世人对美的再认识就此交织在一起。 Fancy dress, eccentric, many people as labels of contemporary artists. However, such art traits did not start with contemporary art. As early as in “Chuang Tzu Tian Zi Fang,” the story of “Solution Clothes” was recorded. Xu Wei and Van Gogh are two outstanding predecessors. Their fate gives them the talent that ordinary people can not expect to find their talents, but it also imposes on them ordinary people can not afford the suffering, so they often wander in front of hell to see the most essential beauty of the world, their art is full of madness beauty. The individual tragedy of artists and the world’s re-understanding of the United States intertwined.