王祥夫:有一点可以肯定的是:焦墨山水到了你,是一个新的点,从张仃先生的焦墨写生,到你的焦墨山水创作;从客观临写到主观情感的抒发,我觉得这之间像是发生了一件什么事。我们现在不怎么提倡“笔墨当随时代”或者是“用笔墨反映和讴歌时代”这样的话语,但有一点十分重要的是:你的焦墨山水明显让我感觉到像是一列火车脱离了轨道,突然开向了自己的原野。我特别喜欢你的焦 Wang Xiangfu: One thing is certain: Coy Mexico landscape is to you, is a new point, from Zhang Ding’s coke ink sketching, to your coy ink landscape creation; written from objective to subjective expression of emotion, I I think this is like what happened. We are not going to advocate words such as “pen and ink as the times” or “pen and ink and croquet era,” but what is quite important is that your coy ink landscape clearly made me feel like Is a train out of orbit, suddenly opened to their own fields. I especially like your focus