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在意大利歌剧研究领域,十八世纪的意大利正歌剧时代和十九世纪的意大利浪漫歌剧时代堪称歌剧史上的两个黄金时代,而处于世纪之交过渡期间的意大利歌剧发展状况却是一个亟待探讨的领域。本文以处于这一特定历史阶段的歌剧作曲家乔瓦尼·西蒙·迈尔为观察对象,试图通过对其历史地位、创作轨迹、歌剧特征和历史影响等方面的论述和思考,来探讨这一特定时期的意大利歌剧创作情况。本文认为乔瓦尼·西蒙·迈尔是最早将浪漫主义观念注入意大利歌剧创作的典型音乐家代表,对迈尔歌剧的研究对于学界理解这一特定历史时期的诸多歌剧流派的流变具有重要的学术价值。
In the area of Italian opera studies, the 18th century Italian operas and the 19th Italian romanesque operas are the two golden ages in the history of opera. However, the development of Italian operas at the turn of the century is an urgent issue field. This dissertation takes Giovanni Simon Mayer, the composer of the opera, in this particular historical stage as the object of observation, trying to discuss this issue through his expositions and reflections on his historical status, creative trajectory, opera characteristics and historical influences Italian opera during a specific period of writing. This paper argues that Giovanni Simon Meyer was the first typical representative of musicians who injected romantic ideas into Italian opera. The study of Meyer opera is of great importance for the academic community to understand the changes of various opera genres in this particular historical period academic value.