中国电影在新旧体制交替的时候,娱乐片的热潮已在全国掀起。打斗、凶杀、警匪、情爱、歌舞充斥城乡影院的银幕。一股“娱乐片热”正在日趋升温。娱乐片的兴起有其必然性,它既是对我们长期漠视电影娱乐功能的反拨,也是契合了电影市场的商业规律与观众需要。但仅靠娱乐片能拯救电影的危机吗?事实正相反,由于历史的原因,我国娱乐片发展的基础薄弱,既缺乏必要的创作经验,又缺乏坚实的理论指导。而一些电影厂的生产决策者却无视这样的现实,一哄而起争先恐后地抢拍娱乐片,认为拍娱乐片可以赚钱,因此,再也顾不得羞羞答答忸怩作态,索性拉下脸面,粗制滥造。有的编导由于观念模糊,将娱乐片拍得不伦不类,既非艺术又不娱乐。无论从片名到情节结构以及表现手段都是大同小异。不少制片 Chinese film in the new system when the alternating old, entertainment boom has been set off across the country. Fight, homicide, cops and robbers, love, singing and dancing flooded the screen of urban and rural cinema. An “entertainment hot” is heating up. The rise of entertainment has its own inevitability. It is not only a backlash against our long-standing disregard for movie and entertainment functions, but also a combination of the commercial laws and audience needs of the movie market. However, the crisis of film can be rescued only by entertainment films. On the contrary, due to historical reasons, the foundation for the development of entertainment films in our country is weak, which lacks the necessary creative experience and lacks solid theoretical guidance. However, some filmmakers’ production decision-makers ignore this reality and rushed into rushing to filming entertainment films. They thought that making entertainment films can make money. Therefore, they no longer need to be shy and reproachfully disregard their slightest curse and make novices. Some directors due to the concept of ambiguity, entertainment films are neither fish nor fowl, neither art nor entertainment. No matter from the title to the plot structure and means of expression are more or less the same. Many producers