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“看:古法书名画的本来面目—祛除鉴藏款印恢复原貌的古法书名画与未祛除鉴藏款印的高仿真古书画对照展”于2012年在北京可观艺术馆举办。同期出版《古法书名画祛除鉴藏款印恢复原貌研究论集》一书。之后,展览又先后在成都、重庆、苏州、厦门、西安、杭州等地展出,在美术界上产生广泛影响,引起激烈讨论。其实,关于古书画相关问题的研究历来见仁见智,关键在于它能否为当今美术史研究提供新的视角。这也是本刊发表这组文章的用意所在。
“See: the ancient face of famous paintings - to get rid of the collection of printed copies of the restoration of the original appearance of the ancient French calligraphy and did not get rid of the collection of printed copies of the simulation of the high simulation of ancient paintings ” in 2012 in Beijing Art Museum Organized. The same period published “ancient calligraphy and calligraphy get rid of jianzhai collection of printed original research collection” a book. Afterwards, the exhibition was exhibited in succession in Chengdu, Chongqing, Suzhou, Xiamen, Xi’an, Hangzhou and other places, causing widespread influence in the art world and arousing heated discussions. In fact, the study on ancient calligraphy and painting has always been a matter of opinion, the key lies in whether it can provide a new perspective for the study of art history today. This is also the intention of publishing this group of articles.