本文受古今治诗名家对《蒹葭》审美体验的启发,联系古典诗歌中神女形象的特质,根据荣格的原型理论,与《洛神赋》进行对比分析,发现该诗的底蕴中包含着一种强烈的神女情结,进而得出结论;《蒹葭》一诗的意境并不是一种物理存在的反映,而是一个青年失恋者的白日梦,他追求的那个“伊人”也不是一个实像,而是主人公在精神恍惚状态下眼前出现的一个幻像。 This essay is inspired by ancient and modern masters’ aesthetic experience of “Wanxu” and links with the idol character of classical poetry. According to Jung’s archetypal theory, it is contrasted with “Luo Shen Fu” Strong goddess complex, and then concluded; the poetic mood of the poem is not a reflection of physical existence, but the daydream of a young lover, the “Iraqis” he pursues is not a real image, and Is the protagonist in the trance state appeared in front of a phantom.