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本文通过对明末期民间青花山水中特有的大写意画风的探析与思考,意在总结当时社会背景下民间艺人的思想上笔法上等所表现出来的青花山水艺术特征,从它的出现原因到对大写意艺术特征的表现形式做出研究和探讨。
By analyzing and thinking about the unique style of the big freehand brushwork in the folk blue-and-white landscapes in the late Ming Dynasty, this article attempts to summarize the artistic features of the blue and white landscape expressed by the thought of the folk artists at the time in the social context. From its appearance, Research and discussion on the expression of the artistic characteristics of the freehand brushwork.