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洛特曼一生从符号学角度对艺术文本进行过大量的研究。他的符号学不仅着重关注艺术文本的结构理论 ,而且广泛涉及艺术文本的接受问题 (艺术文本的接受美学 )。他的艺术符号学与接受美学的研究为文艺学界、美学界 ,甚至语言学界都留下了宝贵的精神财富。本文从洛特曼的艺术符号学研究中的几个常见问题———作者—文本—读者的创作与接受的关系、文本的内在结构与外部联系的依赖关系和文本接受的审美机制 ,探讨洛特曼的艺术符号接受美学的理论成果
Lotman’s life has done a great deal of research on artistic text from a semiotic point of view. His semiotics focuses not only on the structural theory of artistic texts but also extensively on the acceptance of artistic texts (the aesthetics of the reception of artistic texts). His study of semiotics and aesthetics of aesthetics has left valuable spiritual wealth for literary and art circles, aesthetics circles and even linguistics circles. This article from the Lotman’s art semiology study of several common problems --- author - text - the reader’s creation and acceptance of the relationship between the internal structure of the text and the external relations of dependence and the aesthetic mechanism of text acceptance to explore Luo Terman’s artistic symbols accept the theoretical achievements of aesthetics