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自从17世纪以来,被誉为“乐器皇后”的小提琴就成为了西方音乐中的重要乐器。自从清朝时期小提琴传入中国之后,通过对我国传统音乐的吸收及借鉴,不但在作品的创作方面,而且在教育、演奏技巧、创作研究等方面更是深受我国传统文化的影响,极大地丰富了小提琴演奏艺术的韵味和风格,更丰富了小提琴的音乐表现力。本文通过分析小提琴演奏艺术民族化的意义及必要性,并且对小提琴演奏艺术民族化的艺术表现进行了详细的总结梳理,希望能对小提琴演奏艺术的民族化问题作出较为深入的探究。
Since the 17th century, the violin, known as the “Queen of Musical Instruments,” has become an important musical instrument in Western music. Since the violin was introduced to China during the Qing Dynasty, through the absorption and reference of traditional Chinese music, it was greatly enriched not only in the creation of works, but also in the aspects of education, playing skills, creative studies and so on by our traditional culture Violin playing art charm and style, but also enriched the violin’s musical expression. This article analyzes the significance and necessity of artistic nationalization of violin playing art, and summarizes the artistic expression of violin playing art nationalization in detail, hoping to make a more in-depth inquiry into the nationalization of violin playing art.