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剧作的标题是剧的眼睛,剧作的主题是剧的主脑和灵魂,不管是影视还是戏剧都要有一个内在的思想孕育其中。没有灵魂的人是行尸走肉,没有主题的剧作是痴人癔语。受众在领略作品时总是为了获得审美愉悦,而审美的前提首先要明白艺术家的意向,从而进一步充实自己的哲学贫困和美学贫困,提高理性思维。反过来说,作者在选取素材,构思剧作时,也应该考虑到我为什么这样写?我要告诉受众什么东西?我通过这个作品告诉明白没有?本人通过多年的阅读和观看,发现有的作品主题深刻,有的则浮浅;有的鲜明,有的隐蔽;有的明快,有的模糊;有的新颖独到,有的俗而又俗.甚至有的作品主题散乱、暖昧,不成体统。
The title of the play is the eyes of the play. The theme of the play is the mastermind and the soul of the play. There is an inner thought in either the film or the drama. Soulless people are walking dead, no thematic drama is idiotic. Audiences always enjoy aesthetic pleasure when they enjoy the works, but the aesthetic premise must first understand the artist’s intention so as to further enrich his philosophical impoverishment and aesthetics poverty and enhance rational thinking. Conversely, the author should also take into consideration why I write when I select the material and construct the play. I want to tell the audience what I do, and I can tell through this work that I have noticed that I have found some works through years of reading and watching Some are profound, others are superficial, some are bright and some are hidden, some are bright and some are fuzzy, others are new and original, others are vulgar and vulgar, and even some works are scattered, ambiguous and incomprehensible.