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西汉刻石有来自简帛、又别于简帛的独特价值,简帛与刻石共同构成了西汉书法的整体品格。“书法自定时代”。承袭先秦理性主义之后的楚汉浪漫主义艺术,反映在书法上的,我认为,西汉刻石比东汉的碑刻更为典型一些。可是,正如史树青先生所言“西汉时期未见丰碑巨碣,一般记事,字则极少”。再早,启功先生也说:“明清人偶见西汉刻石,或相矜诧,或疑为伪物……稀为星凤焉。”《龟山楚襄王刻石》,是一九八二年考古工作者在江苏徐州发掘龟山汉墓时出土的。它是很有历史价值的一件文物。它的发现为了解西汉书法增添了弥足珍贵的资料,值得我们重视和研究。
The Western Han Dynasty carved stone from silk and silk, but also different from the unique value of silk and silk, silk and stone together constitute the Western calligraphy of the overall character. “Calligraphy custom time ”. Inheriting the romantic arts of Chu and Han after the pre-Qin rationalism reflected in the calligraphy, I think the stone carving in the Western Han Dynasty is more typical than the inscription in the Eastern Han Dynasty. However, as Mr. Shi Shuqing said “No monumental monument in the Western Han Dynasty, the general memo, the words are few ”. Early on, Mr. Qigong also said: “Ming and Qing dynasties see the Western Han Dynasty stone, or relatives surprised, or suspected as artifacts ... ... rare for the Fung Yan.” “Kameyama Chu Xiang Wang stone,” is a In 1992, archaeologists unearthed the Kameyama Han Tombs in Xuzhou, Jiangsu Province. It is an artifact of great historical value. Its discovery adds precious data to understand the calligraphy of the Western Han Dynasty, which deserves our attention and study.