当今,有部分影友在摄影“发烧”的过程中,专注于研究相机的功能,追求相机的高档次。然而国外的摄影者在这一点上与我们的影友恰恰相反,他们会很聪明地把投入的资金平均分成两半,一半用于购置器材,一半作为以后创作的费用,并且购置器材比较注重其实用性。因为国外摄影者知道,摄影者的根本是创作作品,而器材只是创作的工具而已。 Today, some film friends in the photography “fever” in the process, focusing on the study of the camera’s features, the pursuit of high-end camera. Foreign photographers, on the other hand, are the opposite of our shadow friends at this point, who are smart enough to divide the money they spend into half, half for the equipment, half for the later, and for the purchase of the equipment. Practicality. Because foreign photographers know that photographers are the fundamental creation of works, and equipment is only a tool for creation only.