“间离效果”是戏剧艺术的术语,出自布莱西特戏剧美学理论。布莱西特认为,演员饰演角色不应该力图融入角色、和角色合二为一,同时也不能让观众沉醉在演员的表演和剧情之中,相反,应该让演员和观众拉开和角色与剧情的心理距离和审美距离,让人“理性”地观看戏剧,从这一理论出发,要求演员应该时刻牢记自己是在演戏,应该与角色拉开距离,同时通过某些方式增加观众“沉醉其中”的困难来达到“拉开距离”的效果。 “From the effect ” is a term of theatrical art, from Blesit’s aesthetics of drama aesthetics. Bleshit believes that actors should not play the role of integration into the role, and the role of integration, but also can not let the audience indulge in the performers and the plot, on the contrary, should allow actors and spectators to pull apart and the role and plot From this theory, the actors should keep in mind that they are acting, should be apart from the role of the distance, while increasing the audience in some ways Indulge them “difficulties to achieve ” distance from "effect.