一20世纪90年代,莎士比亚戏剧的电影改编迎来一个新的高峰,相关专题研究也伴随这股潮流同时兴起。这一时期的新的著作、成果凭借它们具有突破性的问题意识、理论方法和视点思路而开创了一个全新的领域。此前,对应于劳伦斯·奥利弗、奥逊·威尔斯或格利高里·柯静采夫的时代,相关论题仍然集中在从文字到银幕的形式转换上,传统的文学研究和日趋建制 In the 1990s, the film adaptation of Shakespeare plays ushered in a new peak, and related topics are also accompanied by the rise of this trend. The new books and achievements of this period opened up entirely new fields by virtue of their breakthrough awareness of problems, theoretical methods and perspectives. Earlier, corresponding to the era of Lawrence Oliver, Orson Welles or Gregor Koztsev, the related topics were still focused on the formal conversion from text to screen, the study of traditional literature and the establishment of an increasingly