论文部分内容阅读
本文从作家伊迪丝·华顿成长的纽约上流社会谈起,揭示了《欢乐之家》这部作品中存在的权力结构及其本质。悬殊的经济地位直接导致了权力人物和权力牺牲品的产生。以特莱纳和伯莎为代表的权力人物居高临下,占据着统治地位,同时又是金钱至上社会意识形态的受害者,攻击性本能促使他们把不幸的生存状态转化成苦难,传递给他人。权力牺牲品莉莉受制于权力社会强大的规训威力,身陷困境却让爱的本能在人格机制中占了上风,独自承受苦难以免波及他人,表现出伟大的道德追求和巨大的艺术感染力。
This article starts with the New York upper class, where writer Edith Wharton grew up, revealing the power structure and its essence existing in the “Happy House” piece. The disparity in economic status led directly to the victimization of power figures and power. Power figures represented by Suchl and Bertha hold the highest positions, occupy the dominant position and are victims of the supremacy of money. Aggressive instincts urge them to turn unfortunate living conditions into misery and pass them on to others. Lili, the victim of power, is subject to the powerful regulatory power of the power society. Being trapped in dilemmas makes the instinct of love gain the upper hand in the personality mechanism, and suffer alone so as not to influence others. It shows great moral pursuit and huge artistic appeal.