历史的嘲讽、文化的尴尬──电影《有话好好说》艺术手法探析

来源 :齐齐哈尔师范学院学报(哲学社会科学版) | 被引量 : 0次 | 上传用户:a4253272566
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
张艺谋曾说:“我希望不断变化,没有固定风格。而对每一种风格,我都必须从整体上去做扎实,做地道”①。他的电影新作Z有话好好说)则确实“从电影创作的最根本的角度”跟他以前的影片“木一样”o。我认为,其根本区别在于(有)剧兼融许多艺术手法、许多流派特点于一体,并 Zhang Yimou once said: “I want to constantly change, there is no fixed style, and for each style, I have to do a solid overall, to do authentic”. His new movie, Z, has something to say.) Did indeed “start from the most fundamental point of view of filmmaking” with his previous film “Wood.” The fundamental difference, I think, is that there are many art styles that blend (some) dramas and many genres and
其他文献