费里尼镜头下的人物最大的魔力在于拥有能触碰的生命力。导演用有限的拍摄手法,造就超一流电影。他的电影似梦非梦,从刚开始追随新现实主义运动的风格电影,到后来关注梦境潜意识的超现实主义电影,无不游走在真实与想象之间。在他眼中艺术创作就是一个无意识做梦的过程,即便是所见真实也只是相对的真实。至此,他用自己的方式,创造出只属于费里尼的风格电影。费里尼作为意大利电影界的一代宗师,他的拍摄风格主要分为三个时段。第一时段是追随新现实主义 The biggest magic of the characters under Fellini’s lens lies in the ability to touch. Director with limited shooting techniques, creating superior film. His movies are like dreams and fantasies. From the style movies that have just started to follow the neo-realist movement to the surrealistic movies that later focus on the subconscious of dreams, they all walk between reality and imagination. In his eyes, artistic creation is a process of unconscious dreaming. Even the truth of what is seen is only the relative truth. At this point, he uses his own way to create a style film that belongs only to Fellini. Fellini as a generation of Italian film industry master, his shooting style is divided into three periods. The first period is to follow neorealism