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从1950年到剧专学艺开始直至今天,我的从艺生涯已有六十多年了。学做设计,大大小小,据自己的不完全统计,应该已经完成了一百八十多份作业。在这么长的时间里,在完成这么多艺术实践的过程中,有好多问题,自己一直在思考、在总结。在学做设计的过程中,我始终把“走心”两字放在诸多问题的首位,对此,我有着切身体会。舞台设计是二度创作,其构思的源头主要来自两个方面:一是剧本,二是导演要求,但这两点都会给舞台设计带来一定的局限性与被动性。因此,如果想要有自己的想法和作为,应该从构思的源头起就要走心。
From 1950 to the Academy of Art began until today, my art career has been more than 60 years. Learning to design, large and small, according to their own incomplete statistics, should have completed more than 180 assignments. In such a long period of time, there are many problems in accomplishing so much artistic practice, and I have been thinking and concluding myself. In the process of learning to design, I always put the word “heart” in the first place on many issues, which I have personal experience. Stage design is second-rate creation. The origin of the concept mainly comes from two aspects: one is the script, the other is the director’s demand, but both of them will bring certain limitations and passivity to the stage design. Therefore, if you want to have your own ideas and behaviors, you should be careful about the origin of the ideas.