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柏辽兹是法国浪漫主义时期的一位重要作曲家、理论家以及指挥家,也是上个世纪欧洲音乐历史上一位有重要历史地位的作曲家。柏辽兹天性浪漫,有自由奔放的情感,属于浪漫主义时期标题音乐交响曲的先驱型作曲家。其一生有波折的经历,生活的多舛没有消磨他的激情,其创作的作品集合了浪漫主义时期内的所有精华要素,有着标新立异的全新作曲风格,为我们带来了全新的听觉享受。其重视标题音乐,使用音乐的方式阐述诗和文学间的全新构思,属于新型标题交响乐的先驱创作者。文中对柏辽兹标题音乐进行了分析,并且以《幻想交响曲》为例,简要分析了其标题音乐的提出和对后世浪漫派音乐作品产生的影响。
Berlioz, an important composer, theorist and conductor of French Romanticism, was also a composer with a significant historical position in European music history in the last century. Berlioz romantic, free and unrestrained emotions, belongs to the Romantic period title music symphony pioneer composer. The twists and turns of his life experience, the life of more than he did not kill his passion, his works collected all the elements of the essence of the Romantic period, with a new unconventional new style of composition, brought us a new listening experience. Its emphasis on the title music, the use of music to elaborate the new ideas between poetry and literature, is a pioneer of the new title symphony creators. The paper analyzes Berlioz’s title music, and takes “Symphony of Fantasy” as an example to briefly analyze its title music’s proposition and its influence on later generations of romantic music.