墨色之上的斑斓——关于徐惠泉墨彩人物画的重新定义1在中国传统绘画中,人物画具有一些意味深长的特点。五代南唐顾闳中所绘《韩熙载夜宴图》,仔细去看这幅体现中国古代人物画最高成就的长卷,画面中,有些地方并没有清晰地画出墙壁、门窗、屋顶,也没有烛台、灯盏之类来显示光影和明暗关系。人物在充满空白的场景中悉听琵琶,击鼓观舞,更衣暂歇,直至曲终人散……犹如中国古典戏剧,一桌一椅一屏风,就是整个客观存 Multicolored over ink - About the redefinition of Xu Huiquan’s ink painting portraits 1 In Chinese traditional painting, portraits have some significant features. Five Dynasties Gu Tang in the South painted “Han Xizai night banquet map” carefully to see this picture shows the highest achievements of ancient Chinese portrait scroll, the picture, some places did not clearly draw the walls, windows, roofs, there is no candlestick, Lights like light and shade to show the relationship between light and shade. People in full of blank scenes listen to the pipa, drumming concept dance, changing clothes until the end of the song ...... Like Chinese classical drama, a table and a chair of a screen, is the entire objective existence