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在当代演出艺术的舞台上,有一些大规模、大尺度的物体表演。这种表演的物体与历史上的壮观布景的差异在于:其要点不在于表现诸如山崩地裂或洪水泛滥的自然景观,而是在于对人类精神世界的揭示。物的人化、人的物化显示了当代物体表演的前景。自古以来,诗以物喻人,而当代舞台美术对于人的物化,却可以直接地用包裹、投影、雕凿、塑形、机械等傀儡化或物化手段把短暂的人与永恒的物直接融为诗化的整体,并为物体注入人的灵魂,从而使演出的精神世界得到最大限度的张扬。
On the stage of contemporary performing arts, there are some large-scale and large-scale object performances. The difference between this performing object and the spectacular setting in history lies in the fact that the point is not to show natural landscapes such as landslides or flooding, but to reveal the human spiritual world. The humanization of objects and the materialization of human beings show the prospect of contemporary object performance. Since ancient times, poetry has represented people, and contemporary stage art can direct the short-term people and eternal things directly into the materialization of human beings by means of parody or materialization such as parcel, projection, carving, shaping and machinery As a poetic whole, and for the injection of human soul, so that the performance of the spiritual world to maximize the publicity.