一个成熟的画家,他的画路最终不是越走越宽,而是越走越窄。我将自己限制在一两个系列的极限。一个是牛的系列,我是借牛的载体来表现人类的一种生生不已、自强不息的精神,寻觅一种人类的哲思。另一个系列为心灵物语,从东方的抽象语汇(书法)与西方的抽象语言的试验中,在空灵意境之间,寻找心灵自由的含义。运用水墨与宣纸的材质,从水墨的偶然性中寻找一种必然性。 A mature painter, his final road is not getting wider, but narrower and narrower. I limit myself to one or two series of limits. One is a series of cattle. I used the bull’s bearer to express a kind of life-long and self-improvement spirit of mankind, looking for a mankind’s philosophical thinking. Another series is the spiritual story, from the abstract language of the East (calligraphy) and the Western abstract language experiment, in the ethereal mood, looking for the meaning of spiritual freedom. The use of ink and rice paper material, from the chance of ink in search of a necessity.