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近年关于文学审美意识形态的论争涉及我们究竟应该怎样建构马克思主义文学理论的重要问题,文学审美意识形态论是用马克思主义奠基人所创立的世界观和方法论,对文学活动的经验事实的认真研究,其逻辑起点不是意识形态,而是审美意识、审美活动,体现了马克思主义的世界观和方法论。其理论内涵符合文学活动的经验事实,证明了在文学活动的艺术特征中始终贯串着审美与意识形态的结合和交融,审美意识形态作为一种复合、整体的多元意义在这些艺术特征中呈现出来。
In recent years, the debate on the aesthetic ideology of literature involves exactly how we should construct the important issues of Marxist literary theory. Literary aesthetic ideology is a careful study of the empirical facts of literary activities based on the world outlook and methodology founded by the founder of Marxism, Its logical starting point is not ideology, but aesthetic awareness and aesthetic activity, embodying Marxist world outlook and methodology. Its theoretical connotation accords with the factual facts of literary activities, and proves that the combination and blending of the aesthetic and the ideology are always carried through in the artistic features of the literary activities. The aesthetic ideology as a compound, the overall pluralism is presented in these artistic features .