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东晋顾恺之的《洛神赋图》是中国古代美术史上重要的绘画作品,标志着绘画创作从两汉风格向魏晋范式的转变。在创作思想上,顾恺之以非凡的艺术才能对曹植的《洛神赋》进行再创造,传达出无限惆怅的情意和哀伤的情调。这和当时“清谈玄学之风的兴起”这一重要文化思想现象密切相关,体现了魏晋时期美学精神的重大转折。此时,人们追求的不再是外在功业、经
Gu Kaizhi’s “Luo Shen Fu Tu” in the Eastern Jin Dynasty is an important painting in the history of ancient Chinese art, marking the shift of painting creation from the Han Dynasty style to the Wei-Jin Dynasty. In creative thinking, Gu Kaizhi with extraordinary artistic ability to Cao Zhi’s “Goddess of Assumption” to recreate, convey the feelings of infinite melancholy and sad mood. This was closely related to the phenomenon of “the rise of the style of metaphysics” at that time, which reflected the major turning point of the aesthetic spirit in the Wei and Jin Dynasties. At this point, people are no longer seeking external meritorious service