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“西战团”的工作分为两个时期,初创时期由丁玲负责,以流动演出的方式在山西前线和西安做文艺宣传、写战地通讯,组织街头宣传活动。发展时期由周巍峙负责,主要是在敌后抗日根据地晋察冀边区开展文艺宣传工作。两个时期的工作内容和性质不同,本文主要考察“西战团”的成因以及在晋察冀边区的文艺宣传活动。围绕《战地木刻》成书过程,分析研究西战团在延安整风运动之前的文艺宣传方向及成果。
“Western Corps ” work is divided into two periods, Ding Ling is responsible for the start-up period, with mobile performances in front of Xi’an and Xi’an to do literary and art propaganda, writing battlefield communications, street advertising activities. Zhou Weizhi was responsible for the development period, mainly in carrying out literary and art propaganda work in the border areas of Shanxi, Chahar-Hebei and the anti-Japanese base areas behind enemy lines in the enemy’s days. The contents and nature of the work in the two periods are different. This article mainly examines the causes of the “Western Corps” and the literary and artistic propaganda activities in the Shanxi-Chahar-Hebei border area. Focusing on the writing process of “Battlefield Woodcut”, this paper analyzes and studies the literary propaganda directions and achievements of the West Front Corps before the rectification movement in Yanan.