无论是人生的循环,生命的循环,还是文化的循环,实质上都体现出一种同构关系,共同构成中国当代电影中的圆形叙事模式。这种叙事模式所蕴含的关于时间、生命、历史、文化的意蕴,既渗透着中华民族心理结构中所积淀下来的循环意识,又产生在处于历史转折时期的当代中国社会的特定语境。既是历史的,又是当代的;既是结构,又是内涵;既是能指,又是所指。从中我们不难窥探到当代中国人原始生命的律动,恒久日新的生命观念…… Whether it is the cycle of life, the cycle of life, or the cycle of culture, in essence, they all embody an isomorphic relationship and jointly constitute the circular narrative model in Chinese contemporary films. The implication of time, life, history and culture implied by this narrative pattern not only permeates the circular consciousness accumulated in the psychological structure of the Chinese nation, but also produces the specific context of the contemporary Chinese society at a historical turning point. It is both historical and contemporary. It is both a structure and a connotation. It refers to both the signifier and the signifier. It is not hard for us to get a glimpse of the rhythm of the primitive life of contemporary Chinese people and the idea of ​​a long-lasting new life ...