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以列车为载体,展开一段悬疑迭出、危机四伏的故事,这在电影史上并不鲜见,如《卡桑德拉大桥》等。然而,电影《惊心动魄》的编导们并未拘泥于学习模仿,而是站在生活的基石上,将刚刚发生于我国的历史事件,巧妙而艺术地嫁接到一个特殊的时空环境之中,以一个较小的视角,深入到人心与人性的内核里,体现了一个民族和国家的强大凝聚力,使观众从中感受到一种温暖的心跳。《惊》片无疑属于正剧一类,但正剧绝非说教,电影的教化必须融入到好看的故事和精彩的视听效果之中,精神力量蕴藏于形象之中,所谓的“三性统一”也必须观众承认。
The train as a carrier, start a period of suspenseful, crisis story, which is not uncommon in the movie history, such as “Cassandra Bridge” and so on. However, the film’s “soul-stirring” directors are not rigidly attached to learning imitation but instead stand on the cornerstone of life and grasping the historical events that just took place in our country into a special space-time environment in an artful and artistic way. The smaller perspective deepens into the inner core of human beings’ hearts and human beings and reflects the strong cohesion of a nation and a country from which the audience can feel a warm heartbeat. “Jing” is undoubtedly a type of drama, but the drama is by no means preaching. The enlightenment of the film must be integrated into the beautiful stories and wonderful audio-visual effects. The spiritual power is contained in the image. The so-called " It must also be acknowledged by the audience.