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仇英作为职业画家长期客居于赞助人家中应其要求作画,其画风的变化与赞助人的审美喜好有着密不可分的关系。文章从对仇英影响最大的三位赞助人周凤来、项元汴、陈官所藏的仇英作品入手,将整个仇英客居生活串联起来,以时间顺序整理归纳仇英作品。梳理出仇英客居收藏家中的几十年间,受赞助人审美喜好影响以及通过观摩古代名作,其自身审美喜好以及绘画风格的变迁。
Chou Ying, as a professional painter, has long been living in a sponsor’s home and painting at his request, and his style of change has a close relationship with the patron’s aesthetic preference. The article starts with the works of Chou Ying-lai, Chou Yuan-lai and Chen Guan, the three patrons who have the greatest influence on Chou Ying. The entire series of Chou-Ying’s dwelling lives are arranged in series, and the Chou Ying works are arranged in chronological order. Combing out several decades of hating British guest collectors, influenced by the aesthetic preferences of patrons, and through the observation of ancient masterpieces, their own aesthetic preferences and changes in the style of painting.