书法家孙晓云指出,近二十年来,书法界看上去很热闹,展览频频,出版物大量涌现,书法博士硕士培养人数逐年增多,书法家作品价格日益走高,但公众对于书法的认识,要么是觉得莫测高深,要么就怀着纯商品性的沽价心态。家长希望孩子学书法,也不可避免地带有某种功利思想,如在书法大赛中获奖可在中高考中加分等。这都代表了书法土壤的丧失,偶尔几座小丘陵就奉为高峰了。孙晓云说,当代书法价值评判的混乱,乃至于很 Calligrapher Sun Xiaoyun pointed out that in the past 20 years, the calligraphy circles have been very lively with frequent exhibitions and publications. The number of calligraphic master’s master programs has been increasing year by year, and the prices of calligrapher works have been on the rise. However, the public’s understanding of calligraphy is either felt Unpredictable, or with pure commodity selling price mentality. Parents hope that children learn calligraphy, but also inevitably bring some utilitarian ideas, such as winning in the calligraphy contest in Canada and Canada plus points. This represents the loss of calligraphic soil, and occasionally several small hills are at their peak. Sun Xiaoyun said that the value of contemporary calligraphy judgments chaos, and even very