您对公共艺术的关注点在哪些方面?张正霖:早年,我受到的是传统艺术的教育,讲究艺术的形式、风格、内涵、场域等等,从所谓好的美学品质这个角度受到训练。接触到公共艺术是从1990年代末的中后期开始的。台湾的社会环境发生了变化,认为艺术品、艺术创作应该走出美术馆,走出我们习惯的那些常态的展示点,所以就开始关心公共艺术了。台湾是一个公共艺术发展的后进地区。大概在1980年代,台湾才开始引入了公共艺术的概念。一开始源自民间的呼声,然后则是政府的回应、支持, Zhang Zhenglin: In my early years, I was educated in traditional arts, paying attention to the form, style, connotation and field of art, etc., and were trained from the perspective of so-called good aesthetic quality. Access to public art began in the late mid-to-late 1990s. The social environment in Taiwan has changed. They think that art and art creation should walk out of art galleries and get out of the normal display points that we are accustomed to. So we began to care about public art. Taiwan is a backward area for the development of public art. It was probably in the 1980s that Taiwan began to introduce the concept of public art. From the beginning voice from the private sector, then the government’s response, support,