书法即阴与阳的对立统一,一阴一阳为之道,阴阳乃是节奏之本。由此衍生出来的“大小”、“虚实”、“长短”、“刚柔”、“粗细”、“疏密”、等等不一而足,极尽丰富之能事。而创作者就是要将这些矛盾巧妙地解决掉,化险为夷。这其中最鲜明的体现就是创作者对空白的把握和运用。书法当中的空白不仅是艺术审美的的要求,更是体现了中国书法美学的核 Calligraphy that the unity of opposites of yin and yang, yin and yang for the road, yin and yang but the rhythm of this. The resulting “size”, “virtual reality”, “length”, “rigid”, “thickness”, “density”, and so forth, Extremely capable of doing things. The creator is to skillfully solve these contradictions, saved the day. The most vivid manifestation of this is the creator of the blank grasp and use. The blank space in calligraphy is not only the requirement of artistic aesthetics, but also reflects the core of Chinese calligraphy aesthetics